Michelle, companion in Hayes
The building where the records were cut, and a cinema at the end of the yard.
- Age
- 27
- Stop
- Hayes, UB3, UB4
- An hour opens at
- £250
- Arrives
- Hotels and private addresses, outcall only
- Height
- 173 cm
- Hair
- long, straight dark brown
- Eyes
- brown
- Figure
- curvy
- Languages
- English
About Michelle
Hayes used to press records for the whole country, and Michelle brings that up within the first hour of meeting anybody. She is 173 cm and curvy, her dark brown hair long and ironed flat, her brown eyes frankly difficult to look away from. She dresses with a bit of drama: a red lip, a coat with structure to it, and the clear sense that she chose the outfit for the evening rather than the other way round.
Late twenties, English speaking, and a talker in the best sense of the word. She can hold a conversation with anybody in a room, including whoever is clearing the table, and she means every bit of it. She is also the first to notice when somebody at her own table has gone quiet, and she will do something about it without making it obvious.
The Old Vinyl Factory on Blyth Road is the former EMI works where the records were actually cut, now a set of restored brick buildings with places to eat and a cinema at the end of the yard. It is five minutes from Hayes and Harlington station, and the Elizabeth line puts that station roughly twenty minutes from Paddington, which genuinely surprises people who assume UB3 is the far side of nowhere. She lives in Covent Garden and uses that line rather than a car, because at six in the evening the Uxbridge Road is not worth anybody's temper.
Hayes is far easier to reach than its reputation suggests. See the Hayes page for the rest of it, and send a date through booking.
- 173 cm, curvy, long straight dark brown hair
- Brown eyes, late twenties, English speaking
- Anchored in Hayes, UB3 and UB4
- Twenty minutes from Paddington on the Elizabeth line
- Dinner and a late screening on Blyth Road
Booking Michelle
She likes an eight o'clock start, dinner first and a late film afterwards if the programme is worth it. Three hours at £700, or four at £900 when you want the whole evening.
Every figure she works to is printed on the fare board, and the four steps from message to doorbell sit on the booking page.
Also out tonight
An evening with Michelle
Eight o'clock in the yard at Blyth Road, where the brick is original and the lighting is not, and everything smells faintly of somebody else's dinner. She will tell you which building was the pressing plant and which was the offices, and she is right, because she asked.
Dinner takes two hours because she talks and because she is worth listening to. Then the late screening if there is anything on, or the long way back to the station past the canal if there is not. She is warm without being clingy and she reads a room fast. The Elizabeth line runs until well past midnight, which means an evening here can go on considerably longer than the postcode leads you to expect.
Michelle, on the record
Q.01Hayes seems a long way out.
Twenty minutes from Paddington, and about the same from Bond Street. It is closer than half of south London and the trains are newer. People never believe me until they have done it once.
Q.02What is actually at the Old Vinyl Factory?
Restored EMI buildings, somewhere to eat, a small cinema and a lot of brick. It is not Soho and it does not want to be. It is the best evening in UB3 by a long way.
Q.03Are you always this chatty?
Yes, although I do know when to stop. If you have had a day that took everything out of you, tell me at the start and I will carry the conversation for both of us.